![]() Narrow without being overtly condensed, Austin is a modern with the styling and sheen of New York in the 1970s. Working as a trade engraver Austin cut the first British modern and later the iconoclastic Scotch Roman. In house type designers in 2010: Paul Barnes, Christian Schwartz, Berton Haasebe, and Abi Huynh.Īustin (+Cyrillic): Designed for British style magazine Harper's&Queen, Austin is a loose revival of the typefaces of Richard Austin of the late 18th century for the publisher John Bell. In September 2006, Barnes and Schwartz were named two of the 40 most influential designers under 40 in Wallpaper. ![]() The team were also nominated for the Design Museum's Designer of the Year prize. ![]() ![]() Following the redesign of The Guardian, as part of the team headed by Mark Porter, Schwartz and Barnes were awarded the Black Pencil from the D&AD. The company publishes retail fonts developed by Schwartz and Barnes, their staff, and outside collaborators, and also represents the two when they work together on typedesign projects. Their own blurb: Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, most notably the award winning Guardian Egyptian. 2009 or 2010 by Paul Barnes (London) and Christian Schwartz (New York).
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